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Bridgerton is coming to the 2024 Chelsea Flower Show

The well anticipated RHS Chelsea Flower Show 2024 schedule is out, and team at Netflix are getting their hands dirty with a Bridgerton garden. This is set to be one of the most anticipated Chelsea Flower Show gardens this year, and was designed by Holly Johnston; an English Gardening School alum, and CFS first-timer.

‘The Bridgerton Garden’ will be unveiled one week after the release of Shondaland’s Bridgerton season three which chronicles the love story of Penelope Featherington and Colin Bridgerton. Johnston’s inspiration for the garden came directly from Featherington’s character development, with a garden space divvied into “three chapters,” she said in a press release.

“The secrecy and privacy of the garden [represents] the gossip and scandal of Regency society,” Johnston said. The grandeur of the Regency society which inspired the Bridgerton series is well documented in the garden, from Hedera helix (ivy) climbing up the dry stone and tree trunks, and the addition of a moongate; the first in 20 years of Chelsea Flower Show gardens.

The moongate will transport visitors to a sunken seating area surrounding a three-tiered water feature – an area where Johnston said she could imagine Featherington writing. The third space will lead to a hand-carved wall fountain while the path back through the garden plays with light and colours to represent the characters’ development over the last two seasons.

Penelope Featherington — Photo credit: Netflix

Johnston was involved in the dialogue between the RHS and Netflix since early, and though her fingers are newly green, she has left no stone unturned when it came to researching the character of Featherington and the time period Bridgerton is based on – and has been working on the project since April 2023.

Over the last number of years, the RHS has made a concerned effort to broaden the show to a wider audience, and efforts like this collaboration with Netflix, or ‘Chelsea Late’ after hours DJ night hosted by Jo Whiley, are sure to bring in a younger, more diverse crowd.

Johnston added, “My garden offers a space to retreat to safety, to house your darkest fears, to recognise the good and bad within, to show up without your mask. And ultimately, to step into the light.”

Source: theenglishgarden.co.uk

Idaho Farming at 6,000 feet

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Meanwhile, Dan heeded his father’s guidance. He headed to Idaho State University, married Marie in 2004, and landed a job in sales while he was a college senior and followed graduation by working in sales for a couple of Fortune 500 companies.

“Then, we had our first child, and everything seemed to change,” he said. “I was already asking myself how and where I wanted to raise this new family when Dad called.” His grandfather was gone, and his uncle wanted to retire. It left his brother and father managing nearly 10,000 acres. They needed help.

Dwight and David were already deploying many conservation measures, such as water and sediment basins and contour farming. They were both on board when Dan returned to the farm and started pushing for no-till and more crop diversification.

Today’s labels such as sustainable and regenerative don’t sit well with him, though. “As we’ve gotten away from full tillage, we needed things that would break up the hard pan, for example.

“I started eating, sleeping, drinking soil health. I’ve tried all kinds of things. I’ve traveled all over and talked to anyone that would talk about how to make this work in this specific little corner of Idaho,” Dan said.

“The problem with labeling something is not every practice works everywhere. Cover crops haven’t worked as well as we hoped on this farm, but we’ve been able to do a lot with crop diversity and managing rotations,” he added. Crop diversity also spreads production risks and is opening opportunities for specialty contracts.

The farm currently grows winter and spring wheat in just about every class (soft, hard, red and white). Malt barley, forage barley, feed barley, brown and yellow mustard, oriental mustard, spring and winter canola, flax, yellow and green peas, and triticale are all in the crop lineup.

BEYOND THE SCENIC VIEW

Legacy took on new meaning as an unexpected blow came in 2021 when Dwight passed away suddenly.

“It’s funny how things work out. Dad telling me there wasn’t room at the farm wasn’t easy to hear, but I’m so grateful he did that. Getting away from the farm and being exposed to other businesses really makes me look at farming differently,” he said. “Now, I can’t imagine doing anything else and I’m glad I came back in time to work with him.”

Working with his brother, David, has been another benefit of returning home. “I tell David sometimes that he’s too easygoing. He’s always for anything I want to try and I’m not sure he shouldn’t question me harder at times about some of these ideas,” he said.

About a quarter of the Lakey Farms acres are owned. Another quarter are leased from family and the remainder are leased from landowners. Dan said the leases vary widely from cash rent to a variety of different share agreements. He estimates average county cash rent rates fall around $33 per acre. Rents occasionally sneak a smidgen past $50 per acre on more productive parcels.

They shoot for 40 bpa continuous crop spring wheat and 50 bpa barley on dryland acres. The farm does have some irrigated acres where wheat yields can push past 100 bpa. Dryland winter wheat typically yields from 50 bpa and can haul in 80 bpa if it follows fallow.

These fields sit at the base of the Caribou, Bear Lake and Blackfoot Mountain ranges. Some of the farm extends to the northernmost end of the Wasatch Range. Field sizes can range from five acres to 1,200 acres. A typical size field is about 250 acres, he noted.

Lakey Farms is spread out nearly 50 miles from one farm to the other in a Y-pattern from the homeplace. It makes for a lot of road time in the tractor, he admitted.

“We’re in a very volcanically active region with what we call lava reefs and lava necks-cracks in the ground that lava would flow through. It’s very fertile soil because of the volcanic ash, but some of these fields will be a half-mile long and only several hundred yards wide. They are shaped kind of like fingers that run off the mountain,” he explained. Topsoil is only 18 inches deep before hitting rocky conditions.

AN EARLY START

Despite the blizzard this week, this year is considered an early start for the farm. The first spring wheat started going into the ground April 14 and so far, about 1,000 acres have been seeded, as well as 350 acres of canola and 250 acres of beardless spring barley being grown for seed production.

Of the 1,500 acres of hard red winter wheat that was planted last fall, 850 acres winter killed this year. The good news is it was being grown under contract for a specialty miller that will allow a similar protein level to be substituted through spring wheat without penalty.

“We deal with winter kill every year. Many times, it is caused by snow mold [diseases caused by fungi attacking grain under snow cover]. We applied fungicide and didn’t have as much snow this year. So, this year is a bit of a mystery,” he said. Saturated ground that goes through freeze-thaw cycles in the early spring can also break the crown on winter wheat, he added.

While drought is often considered the limiting factor in this region, he lists frost as the biggest agronomic challenge. “Being in the high desert we often get a hard frost the second week of June and then, it will turn off really hot. I think temperatures we get during grain fill probably contribute more to yield loss than drought,” Dan said.

A timely rain or two can make or break yields too. He also believes snowpack through the winter is also important for retaining moisture. “That’s why we started using stripper headers [at harvest] that can leave the stubble tall to catch that snow,” he explained.

Machinery is, he admitted, something he enjoys. “Over the past decade, we have started transitioning to newer equipment–instead of older models that need repairing all winter. Our windows to get crops in and out are so short that we had to start thinking about dependability of getting repairs and parts,” he said.

Readers following this series can look forward to seeing that equipment working in front of some breathtaking backdrops. “We may have some production challenges to work around,” Dan said. “But the views are remarkable.”

Pamela Smith can be reached at Pamela.Smith@dtn.com

Follow her on social platform X @PamSmithDTN

Source: dtnpf.com

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